Showing posts with label heritage. Show all posts
Showing posts with label heritage. Show all posts

Friday 22 January 2016

Exploring the 2000 years old Buddhist Cave clusters at Junnar.

Entrance to the Bhutlinga caves. Photo by Saili Palande Datar.
When the shout-out in one of the dailies mentioned, “exotic Buddhist caves”, I knew I had to go! And I was delighted to know that the tour was organized by a team of an Archaeologist and Indologist, which meant that there would be a rich wealth of information and stories, to satiate the history buff in me.
Copy of the Brahmi script. 
Somehow I couldn’t transfer the fees for the tour in time, and pleaded fervently (lol) with Saili Palande Datar , the co-founder of Heritage Insights, with whom I travelled, to include me, on the eve of departure. The pleading did work, and I found myself, the next day, with an equally eager and enthusiastic bunch of people ready to explore the lesser known, 2000 years old cave clusters in Junnar, in Maharashtra. I was surprised to know that there are around 185 such caves in the Junnar region alone and many of them yet to be discovered.
Map with the locations of Buddhist caves in Maharashtra. 


Map of the Indo-Roman trade routes. 
It was extremely fascinating to know how these caves came to be developed. After the Samadhi of Gautama Buddha, his disciples took upon the task of spreading Buddhism all over the world, starting with India. Often they travelled with traders on well-known trade routes. But during the Monsoon, they stayed put in one place for shelter. This was called Varshavaasya, ‘varsha’ meaning rains and ‘vaasya’ meaning residence. Initially, probably they must have sought out natural caves, but when monks starting extending their stay beyond the four months of Varshavaasya, they started building permanent monasteries and cave dwellings. The funding for building the monasteries came mainly from the traders who would seek shelter and food in exchange for funds. The type of funds varied from wood, vessels, grains, cloth, etc.
Entrance to the Chaitya griha of Amba-Ambika caves. 


The sculpture of Amba-Ambika from which the caves derive their name. 


The whole Amba Ambika cave cluster. 
Several inscriptions on the stone also revealed that projects within the cave complex too were sponsored, like water reservoirs, or specific pillars, as an action of ‘punya’, or benevolent actions done specifically for atonement of sins or to appease the Gods that be. This is similar to what we see in parks or buildings, stating that the seats or certain amenities have been donated by a certain person. Several parts of the monastery like meditation cells, or the ceiling or relief work were left unfinished due to the unsuitable nature of the rock and seepage, although in some other caves, elsewhere, work has been left incomplete due to shortage of funds, much like some construction projects of today. Some things don’t change even in 2000 years, I thought to myself!
Entrance to the Bhutlinga caves. Notice the intricate carving on the facade. 


The Chaitya griha with a domed ceiling.
And who were these traders and where did they come from? These were Roman traders who carried out trade via sea, through Egypt, Alexandria and Arabia. The ports where the ships were anchored were Bhrugukachh (Bharuch in Gujarat), Shurparak (now known as Nalasopara in Mumbai) and Calliena (Kalyan near Mumbai). The Romans carried cotton, ivory, spices, silk, pearls, and exotic fauna like tigers, cheetah, peacock, and rhinos to Europe and in return brought gold, silver, wine and slave women to India. The goods brought would be loaded onto bullocks which passed via different ghats to reach important cities in the Deccan region like, Junnar, Pratishthan (Paithan), Nasik and Tagar (Ter).
Carving of a Bodhi tree.

The sculptures of Naga and Garuda. Notice the wings on the figure to the left and the multi-hooded snake behind the figure on the right. 
The then major dynasties of India, the Satvahana and Kshatrapa fought amongst themselves to control the trade routes, as that would mean a lot of wealth as the passes or ‘ghats’ on the Western Ghats were used as collection points for taxes, equivalent to the toll that we have today. It was interesting to know that for traders who used the pass often, they even had discounts similar to the discount on monthly toll passes of today.
Inscriptions stating that a trader has sponsored work for this part of the cave. 

Intricate carvings. 
So the cave monasteries and the Indo-Roman trade had a symbiotic relationship each thriving on the other. But after the 2nd century BC, the Roman economy collapsed thus impacting the trade which came to a grinding halt towards the 3rd century CE (Christ Era).

Carvings of Goddess Lakshmi in the centre and elephants, devotees and floral motifs. Photo by Minal Karekar and Swapna Pataskar
A closer shot. Photo by Saili Palande Datar. 

Our first stop was at Manmodi hill, where after a short uphill trek we reached the cave named Amba-Ambika. During the briefing, Yashodhan Joshi, another co-founder of Heritage Insights, showed us the map of the ancient Indo-Roman trade route and also handed copies of the ancient Brahmi script (the language used was Prakrit with a few words of Sanskrit origin) which we used later to understand inscriptions (with a lot of difficulty). All the caves we visited were carved out from the mountain or hill. The cave cluster called Amba-Ambika derives its name from the sculpture of Goddess Ambika which was carved by the Jains in the 9th and 10th century CE, after the caves were abandoned by the Buddhist monks. This was a two stories cave cluster with an unfinished Chaitya Griha (prayer hall with a stupa at one end). Two pot based pillars at the entrance were re-constructed by the ASI (Archaeological Survey of India) and were hence of a different colour. Around 50 inscriptions regarding donations made for the construction of this cave have been found in the Chaitya griha.


Water reservoirs. Rain water harvesting was done even then. 
Further down the Amba-Ambika caves are the Bhutlinga caves, named after the main Chaitya griha with ‘naga’ (snake) and ‘garuda’ (eagle) motifs and the stupa which is considered a ‘Shivlinga’ by locals. The façade of the cave was very well done and was donated by an Indo-Greek trader (locally called yavans) named Chanda, as we learnt from an inscription.

The dents on these stones are for sticking in wooden sticks and watering it, so that when the wood expanded the pressure would break the stones. Here they are left unfinished.
Copper deposits in a rock which render it green. Somewhere on the way...
All these two cave groups were built or rather carved between 1st to 3rd centuries CE. Considering that entire caves had to be cut out from the hill, one would think that it would have taken a hundred years for them to have been built. But Saili, the Archaeologist in the team said that one cave cluster would have taken around 15-20 years. This and well as other facts about the life of the monks and ruling dynasties have been gleaned  from years of research by scholars through various sources like coins, inscriptions, references to the names on inscriptions found in the literature of the period, etc.
The Chaitya griha at Tulja caves. 
A distant shot of Tulja caves.
By this time we were satiated by this interesting history and it was time to satiate our hunger. We headed to an eatery in an agro-tourism enterprise called Amantran and after a lip-smacking traditional lunch, headed to the Tulja cave group. The name derives from the deity Goddess Tulja whose shrine was built in a much later period in one of the abandoned caves. This cave group is considered much older than the rest by scholars, which means it wasbuilt in the 1st century CE or even earlier. There was a circular Chaitya griha here as opposed to the hall like spaces in the previous caves with 12 octagonal pillars around it which indicates that it is from an earlier period.
On the way to Naneghat. Notice the triangular natural formations on the rock. 
Our last stop was a cave in Naneghat. On the way to the cave we were greeted by a giant stone pot which was believed to have been used for tax collection by the then queen of the ruling Satvahana dynasty, called Nayanika or Naganika. This is not a Buddhist cave but was built more as a commemoration of the main political people of the time. In this cave all the three walls of the cave were covered with inscriptions which give a lot of details about the politics of the time. The names of Shri Satkarni and his wife Nayanika, who was a very influential queen feature prominently in the inscriptions. The inscriptions also talks about the Yagnas that Nayanika performed and the donations she made for the Satvahana Empire. At one there were inscriptions serving as labels to the now absent statues of different people like Naganika and her husband.
The giant stone pot used for tax collection by Queen Nayanika.


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Inscriptions on the walls in Naneghat.
We spent some time in Naneghat taking in the panoramic views under the crescent moon before boarding the bus. This trip was surely a heady mix of heritage, history, information, and being transported for a brief moment, to the life that was, 2000 years ago!
The crescent moon for a beautiful end to a very interesting tour. 
Do follow the FB page of Heritage Insights for updates on their Heritage tours! I am certainly awaiting the next one!






Friday 4 September 2015

A Day in Mysore

In 2014, during my trip to the Rainforest Retreat near Madikeri, where I went as a volunteer, I decided to stop over for a day in Mysore to explore the city. I was there only for 24 hours, but tried my best to squeeze in as much of the culinary and cultural delights the city has to offer. So in case you visit Mysore, here's a rough guide you can use to get your way around. 

Sagu dosa at Vinayaka Mylari
8.30 am- Head out for some lip-smacking traditional breakfast at Vinayaka Mylari at Nazarbad road. I had sagu dosa served with coconut chutney served on banana leaf and washed it down with delicious filter coffee. Things had started on a great note. Before arriving in the city in the morning, I had got in touch with Royal MysoreWalks, a team that conducts guided heritage, food and cultural walks and tours in Mysore. 


The softest idlis from Vinayaka Mylari. 
Thaali from Dasaprakash.

9.30 am : Ananth, a very cheerful and interesting guide with the Royal Mysore Walks, enlightened me on how various important world events are connected to Mysore, and little known aspects of Mysore's history that includes the Tamil Nadu CM, Jayalalitha's grandmother being the first woman graduate in Mysore, and how upon losing a war, the British took Tipu Sultan's young sons , aged 9 and 7 as war hostages!! He had also carried vintage photos from Mysore's past. It was interesting, when at the 125 yr old market, he held up a 100 yr old photo so that we could compare the past and present.  The sight of the Free Mason's (Secret Societies) building piqued my curiosity! Also the RMW requires a minimum of 2 people for the tour in which case the fees would be Rs 600. I travelled solo and there was no one else who had booked, so I paid double.



Haalbai- a sweet made with rice flour, coconut and cardamom. 

The market, then and now. 
11.30 am – You could visit the Mysore zoo, which is one of the oldest zoos in India. Entry charges are Rs 50. Although I hate the idea of animals being kept in the zoo, I was a bit relieved to see that all the animals and birds looked healthy and had ample space to move around unlike some other zoos I’ve been to where animals look depressed and almost famished. I saw giraffes, rhinos, white tigers and a host of other animal and bird species.


Endless cups of frothing filter coffee. 

Chow chow bhath- a serving of Upma and sheera- a staple Karnataka breakfast. 

1 pm - Mysore has some lovely eateries which offer traditional Mysore food. Check my post on what to eat in Mysore. I headed to Dasaprakash for their thali. I wanted to sample the food for which the late Wodeyar Maharaja is said to have visited this restaurant sometimes. The thali comprised chapatis, rice, rasam, brinjal curry with gravy, masala rice and another non-descript vegetable. It wasn’t that remarkable but I loved the kheer/payasam was which was made with rice, coconut milk and jaggery.

The Mysore Palace from outside. Photography is not allowed inside. 
Dahi vada.


Vanilla ice cream from Brahmin's Soda factory. 
2.30 pm - Head to the famed Mysore palace and be charmed by the royalty and also escape the afternoon sun outside. It’s a sprawling palace so leisurely stroll inside the three storied structure designed by the English Architect, Henry Irwin. You’ll get to see sculpted pillars, a golden throne embedded with jewels, paintings and shrines. Photography is prohibited inside the palace premises. The palace is illuminated on Sundays, Public Holidays as well as during the Dasara Celebrations with 97,000 electric bulbs.

4 pm- if you are an art aficionado, a visit to the Jayachamarajendra Art Gallery will be worth your time. On display are original paintings of the legendary painter Raja Ravi Varma. Did you know he was the first artist to give a popular face to Indian Gods and Goddesses through his paintings? Prior to that people worshipped statues, sculptures and miniature paintings. And he also designed the sari as we know it today and the way women almost throughout the country drape the sari today is fashioned on how he draped the Goddesses and women in his paintings. The museum also displays possessions and souvenirs of the Mysore royal family such as rare musical instruments, Japanese art, and other memorabilia.


The Sarasaparilla soda
5.30 pm - For a quick refreshment head to the Brahmin Soda Factory for ice creams or fruit salads. It’s a small place which gets cramped with people seated facing each other like in a train coach. I had the ice cream and also Sarasaparilla juice which is an extract of the roots of a plant by the same name and is believed to have health benefits. It was very refreshing and more like flavored water.


The flower lane at the market.

6.00 pm - You could explore the 125 yrs old Mysore market with different lanes dedicated to different items like fruit, vegetables, flowers, etc. Nothing gives you a taste of the pulse of a place than its old markets abuzz with people, flies, aromas, colors and textures. In the corner facing the main road you’ll see Guru Sweet Mart. Ever wondered the origins of the famed sweet Mysore pak?. This is your answer. This shop was started by the descendants of Kakasura Madappa, the royal chef, who made the Mysore pak for the then king in the early 1900's. The fifth generation of the inventor of the Mysore pak still runs this shop. For a place which has such a legend attached to it the shop is ridiculously small, just 5 x 5 feet. The Mysore pak itself didn't taste great and was a let down. So please do taste before you buy 2 kilos, which I happily did assuming it would be great.


The fifth generation of the inventor of the Mysore pak. Great great grandson of Kakasura Madappa who made the Mysore pak for the then king.



The original Mysore pak shop.

And entire lane dedicated to bananas in the market. 

A special Mysore banana called nanjangud rasabale. It was buttery and melt in the mouth and delicious. I bought half a dozen for my husband too.

7 pm- Either head out for the light and sound show at the Mysore Palace which lasts for 40 minutes and narrates the history of Mysore Kingdom, the rule of Wodeyars, etc through the combination of sound and light. Or else head to the Cauvery Handicrafts Emporium, which is run by the government and has many branches across the city to take home gifts and souvenirs. I bought some lovely bookmarks made of and carved on sandalwood and some Mysore Sandal soaps and sandal scented incense sticks. You are in the sandalwood capital after all!!
 
Set Dosa at Hotel Siddhartha.
8.30- Head out for sumptuous dinner at Hotel Siddhartha. I ordered a set dosa which was spongy and came with coconut chutney, coriander chutney and sambar. Never the one to say ‘no’ to filter coffee, I ended my meal and my trip to Mysore with a frothing cup of steaming coffee. It was time to head to my hotel and leave for home the next day. 


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Wednesday 25 February 2015

Pune Heritage Walk

In 2011, when my husband announced that his company is transferring him to Pune, I jumped with excitement. The first thought was, Pune is where the Maratha warrior king Chatrapati Shivaji grew up in, and freedom fighters like Veer Savarkar had their base in, and I'm going to be in that place. I had enjoyed history immensely in school, so much so that while the History teacher narrated tales of wars and freedom struggle, I almost went back in time, lived the story and came back fully charged. 
When I got to know that The Western Routes organizes the Pune Heritage Walk, I was eagerly waiting to join. That time finally came in February this year. My husband and I, along with an Indian friend, his Japanese wife and adorable child set out on a fine morning to discover the heritage of Pune. The walk was conducted by the founder of The Western Routes, Jayesh Paranjape, a very friendly and informative person. Do dig up information on the best places to eat in Pune, if you ever happen to meet him..:-) 

The trail took around 4 hours and Jayesh took us to some wonderful places to eat too. (read misal pav, sabudana wada, aloowadi and endless glasses of fresh sugarcane juice)

This post is more of a picture story, for I strongly recommend that you participate in the trail yourself if you get an opportunity, for all the juicy details from history..:-) 

The entrance to the Shaniwarwada fort, which was constructed in 1746 and was the seat of the Peshwa rulers. The houses inside were made of wood and were destroyed in a massive fire in 1828, so one can see only the foundation of the buildings which were made of stone. The foundation stone of the fort was laid on a Saturday that is why the name 'Shaniwarwada'; 'Shaniwar' meaning Saturday and 'wada' meaning , houses.


This is the close up of the gate of the Shaniwarwada. There are huge spikes on the surface to deter the elephants from the enemies side from tearing down the gates.



Inside the fort...




The events pertaining to Shaniwarwada  listed chronologically on a marble stone. It's an interesting piece of information that the ruling Peshwa, Bajirao, had a second wife, called Mastani, and since she was not very welcome in the family, there was another entrance gate made dedicated for her, and she could not enter the fort from any other gate. Their story had now been made into a Bollywood movie by the name 'Bajirao Mastani'.




The family tree of the Peshwa rulers..




The stairs leading to the upper floor and rampart..









The picture below is of one of the houses in Kasbapeth. Notice the old Pune style of architecture juxtaposed with Queen Victoria's image on the metal railing.  This was to show the family's loyalties to the British during the pre-Independence era.






This is the Kasbapeth Ganpati, which is a 'swayambhoo' Ganpati, meaning the stone naturally assumed the form of the Elephant headed God, Ganesha. It is said that when Shivaji along with his mother, Jijabai, arrived in Pune to settle down, the Ganesha appeared around the same time in one of the ministers backyard. When the news was conveyed to Jijabai, she took it as an auspicious sign for her son, to make Pune as one of his main bases to rule the kingdom. Photography was not permitted inside. The architecture and the wooden carvings and beams inside are still well preserved even after 400 years.



Notice the inlay of brick work. Pune, in those days was known for brick making and bricks were custom made according to its use. You will also notice how the bricks are arranged, some vertically, some horizontally. That was unique to the houses of old Pune. It was only after the British arrived that the brick size was standardized, as was the laying of, of the same.



One of the wadas in old Pune..




Nanawada, where one of the important Peshwa ministers, Nana Phadnavis lived. It was built in 1780 and now the building functions as a school.



Look closely at the photo and you will see the image of a banana flower (kelphool) carved on wood. This is a recurring motif in Pune's old architecture and was used in all the houses, temples and forts.




This is an unusual image of Ganesha, killing a demon with one of his tusks.



Loved the brick patterns...:-)



The riot of colours in Mandai, the wholesale market...




 An old library ...




The entrance to Visharmbaug wada, which was home to Peshwa Bajirao, the second.



The place was being renovated so we could see the upper floors, but I loved the vibrant colours and the wood work from whatever I could see...



An old well inside..


The Indian gargoyle outside Vishrambaugwada..Notice the motif of the banana flowers here too..:-)



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