Monday, 23 March 2015

Kutch- A Photo Essay

My trip to Kutch turned out to be more about seeing Art and artisans at work rather than visiting tourist spots :-) Here is a photo-essay of my trip. To read up about the finer nuances of my trip and anecdotes, please read Kutch: Travelogue- Part 1 and Part 2



On my first day in Kutch I met Narayan bhai, the weaver. His serene face and soft spoken nature was striking. 


At Hiramani Crafts Park, Bhujodi, this artisan crafts footwear out of camel hide.


Wares ready to sell. 




Another store for bells, each producing a different sound. 




A pigeon house at Hiramani Crafts park. 


Cows on a rampage at Bhujodi. I've never seen such active and fast cows!! 


At Ajrakpur, where I spent a couple of hours, the block printed cloth pieces are left to dry in the sun. The sunnier it is the better the colours stand out. That day unfortunately it was cloudy. 


Wooden blocks with different patterns used for block printing


And some more....


natural indigo dye in the bucket


The natural ingredients used for making natural dye...henna, dried marigold flowers, indigo, etc..


The chart for natural dyes...
Cloth pieces waiting to be printed on


Printed and dried and ready to be shipped and sold. 


The process of dyeing the cloth...Here they were dyeing it with red. 


The master block printer, Dr. Ismail even received an honorary Ph.D for his art. 





At Bhujodi, in Ashok bhai's house, bundles of thread are bought by the kilo from Ludhiana..This one is merino wool thread..



Separating the strands of thread so that it doesn't get entangled.


A closer look..




Water being boiled for the starch..


The starch used is that from wheat..




The separated thread is then dipped into the starch..


The entire length of the thread..


The drying process starts early in the morning to benefit maximum from the sun..




The whole family gets busy with the drying process..


The threads are then combed to separate the strands again..




The dried and starched thread is then spun onto a bobbin which is then used on the loom



At Khamir, Prof. R.S. Bisht, the chief Archaeologist, who led the excavation at Dholavira, at the ruins of the Indus Valley civilization gave a 2 hour presentation on the pottery of the era.  
Such exquisite designs. Some patterns are used till this date.


The extent of the Indus valley civilization. 


I loved the motifs of the fish especially and used it in my  wall-art at Khamir


Sipping tea while reading. The Kindle lacks the romance of a regular book! 


...and while sketching...




Clay cups waiting to be baked...I picked up one and it was so cool to touch.


The potter at Khamir kneading the clay to moisten it.. 


The elephant and mahout made of clay.
The pottery exhibit at Khamir


The designs with black and white are called 'slips' which are painted using watered down clay and painted before the pots and pans are baked. 


The kiln using for baking..the temperature can be set between 400 to 1500 degrees Celsius depending on the type of clay and the product. 

At Khamir they do plastic weaving to recycle them. Plastic bags are washed and dried ....
The dried bags are then cut into thin strips and woven on looms and then stitched into bags, mats, etc. 




At Khamir, the ready shawls and stoles are immersed in water to wash away the starch. 


Quality check for the ready stoles..




Look at this cute tailor bird peeping out from the nest. 


The puppy at Khamir sun-bathing.


Had heard so much about the fafda-jalebi combination.Finally tried it at Bhuj :-)









Friday, 20 March 2015

Wall Art in KHAMIR, Kutch.

During my Kutch trip, I had an opportunity to spruce up the dining area at Khamir (www.khamir.org), which is where I stayed. Khamir is an organization that works to promote traditional Kutchi crafts and arts. Every year they archive one craft, and this year it's pottery. Interestingly, while I was there, there was a presentation by Prof. R.S.Bisht, an archaeologist who led the excavation, at Dholavira, of the ruins of the Indus Valley civilisation. I was amazed to see the rich motifs in the pottery of the Indus civilisation that existed 5000 years ago. When the Director of Khamir suggested that I incorporate pottery motifs in the wall-art, I included the motifs of the pottery found at Dholavira. The motif of the fish especially interested me.










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